CARTOGRAFÍA APROXIMADA SOBRE CONTAGIO: EPIDEMIOLOGÍA, UTOPÍA, REPERTORIO (ES ARTE, NO COVID) Versión 12/2020

December 17, 2020

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December 28, 2020

Dibujos Bien Rotos (rasgados, auras, géneros y 2020)

December 28, 2020

December 17, 2020

CARTOGRAFÍA APROXIMADA SOBRE CONTAGIO: EPIDEMIOLOGÍA, UTOPÍA, REPERTORIO (ES ARTE, NO COVID) Versión 12/2020

December 17, 2020

December 14, 2020

Cartografía aproximada sobre el espacio queer: baño, archivo, contagio (versión 12/2020)

December 14, 2020

November 12, 2020

(Critical) Ontology of Ghosts

November 12, 2020

Las cosas que se quedan // The things that remain: A Queer show in three stories

November 12, 2020

In this talk, I have chosen to present you three stories. Keep in mind that there are many more stories to tell and that I may not know them all. Ghost do not like to be described and analyzed, and queer ghosts are even more sensitive to any attempt to theorization. Therefore, instead of explaining my work, I have chosen to tell you three of the many possible stories.

November 12, 2020

Tarifa and Other Others: walking the town through Sarah Ahmed's Queer Phenomenologies

November 12, 2020

In this presentation, I discuss Sara Ahmed’s chapter “The Orient and Other Others” in Queer Phenomenologies, through my own observations of the Spanish town of Tarifa, where I stayed while conducting research on the South Mediterranean crossing.

November 12, 2020

November 11, 2020

Los Fantasmas: dibujo e invocación de lo existible en la España post-franquista

November 11, 2020

En este texto presentaré mi obra Los Fantasmas (2010-2013) y analizaré la concepción y producción de esta obra a través de una serie de preguntas sobre las políticas espectrales, los discursos de la historia y de la memoria y las narraciones imposibles.

November 11, 2020

Queer Resistance in the Time of Spanish Fascism or WE ALSO GO TO THE BEACH

November 11, 2020

Queer bodies, and more so, penalized queer bodies in times of fascist dictatorship, become liminal at the beach: they are present but often hidden in spaces where bodies are highly visible. As a Southerner Spanish queer artist, born months after the arrival of democracy in Spain, I am very aware of the presence of those bodies, those stories never told, but to which I owe so much. This presentation is a brief attempt to narrate the queer haunting at the beach, to question the failure of the archives in accounting for these experiences, and to reflect on the potential of queering strategies in art. In short, my presentation is a tribute and a call for queer resistance in times of fascism.

November 11, 2020